Thoughts

The story follows Timmy Chamalet as Marty Mauser, a young Jewish man struggling to get by in early 1950s New York City as a hustling ping pong player. The opening act shows him overseas in London almost winning a major table tennis tournament, but losing embarrassingly in the final round to a stoic Japanese man with far superior skill than him.

As a self-proclaimed “film nerd”, how is it that I hadn’t seen the masterpiece that is La La Land (2016)? This is rhetorical, of course, as I would only have the true answer, and now having finally seen it, I can say that confidently: I am an asshole. I’m a big Damien Chazelle fan, especially after Whiplash (2014), and this being his sophomore project that almost won best picture, what the hell, man?

You’d think with all the glazing I’ve been doing of the man with the recent release of his generational masterpiece One Battle After Another (2025) that I would’ve seen this already. Uh, apparently not. There is so much I could say about this film that it deserves its own dedicated breakdown, when I have the time or energy. But until then, let me first say that this has some of the greatest dramatic performances of all time.

I have mentioned this film a number of times in my journeys, primarily because of the stranglehold the concept of it has had on me. Needless to say, I finally got around to it (so I can get a good grade). I was not only mesmerized and unable to peel my eyes off the screen, but my expectations as a whole were completely shattered, in the best way possible. The Holy Mountain follows a thief, cleverly dressed as Jesus Christ, venturing through a heightened reality filled with re

More complexly put, it delicately walks the tightrope of being commentary on our sociopolitical landscape and simultaneously being a laugh-out-loud satirical comedy. Oh, and it’s an action film. PTA pulled out all the stops for this one, not only assembling an ensemble cast led by Leonardo DiCaprio, Benicio Del Toro, Teyana Taylor, Regina Hall, Sean Penn, and newcomer Chase Infiniti...

The performances by Denzel Washington and Jeffrey Wright steal the show. Fantastic comedic and tense moments are offset by a majority of cringeworthy dialogue and the most awkward scoring choices I’ve ever heard. It felt like watching a soap opera at more than a handful of moments. Going off of that, the police dialogue had to be some of the worst I’ve ever seen. The redeeming moments are within the tense action scenes, led by the direction of Lee with Denzel on the move.

The film follows Jordan, portraying twin brothers, gangsters who have been holding out in Chicago, and are now returning home to the South to open a juke joint. The story takes its time getting us acquainted with not only the twin brothers, Smoke and Stack, but their friends and family who unite under the roof of their new bar for the turning point of the film, when the vampires come out…